- Title: The Prize
- Author: Julie Garwood
- Series: N/A
- Genre(s): Historical (Medieval)
- Publisher: Pocket Books, August 1991
- Format: Audio CD narrated by Anne Flosnik (Brilliance Audio, 2009)
- Source: Public library
- Length: 408 pages (10 CDs, 12.5 hours)
- Trope(s): Conquering Hero, Dimwit Heroine, Battle of the Sexes, Newlywed Woes
- Quick blurb: Saxon maiden vs. Norman warrior
- Quick review: Not a good choice for my first commute-time audiobook, or my first Garwood.
- Grade: C- for story, D- for narration
He never knew what hit him.
I’m glad that’s over with. Also, I now know who Kathryn Le Veque has been reading for inspiration.
The Prize is set in 1066 England, with William the Conqueror on the throne in London and his minions crawling the countryside to claim Saxon holdings. One of those minions, our hero Baron Royce, gets clobbered on the head with a stone flung by our slingshot-wielding heroine Nicolaa, a feisty (god help us) Saxon maiden determined to defend her family’s home.
When he regains consciousness, Royce and his men overtake the manor, mostly thanks to Nicolaa’s idiot older brother abandoning her to “go north.” Our spunky (god help us) heroine disguises herself as a nun and claims sanctuary at the nearby abbey where her other brother is recovering from a serious injury. Royce feels all tingly in his manly parts upon meeting the beautiful young nun, but he manages to get them to the convent without disturbing her maidenly essence.
Somehow, Royce manages to figure out that Nicolaa isn’t really a nun, which allows the tingling to burst forth into full-on mental lusting. Nicolaa is too busy swanning about denouncing the Normans and pronouncing things about her family’s honor to notice much about Royce. Except for the fact that he smells good.
After some unimportant secondary character nonsense, Royce forces Nicolaa out of the abbey and on the road to London, where she’ll be auctioned off as the titular “prize” to a deserving Norman lord. Nicolaa insists on bringing along her infant nephew, who she claims is hers by her deceased husband. There is no mention of a wet nurse, so I have no clue how this poor child is being fed, and we get a first glimpse of our heroine utter cluelessness as she flounders to explain the chronology of her fake husband’s death and her pretend child’s birth.
At some point early in the road trip, Nicolaa decides to escape. She does this in the dead of night, with no plan of whatsoever. No food, no weapon, leaving her infant “son” in the hands of god knows who – but she’s sure nothing will happen because she knows the territory. She then promptly falls into a ravine and twists her ankle. She starts to call for help, but – never fear – hero Royce is near. He followed her, because he’s not a clueless idiot.