- Title: All Roads Lead Home
- Author: Christine Johnson
- Series/Category: Love Inspired Historical
- Genre(s): Historical (1920s US), Inspirational
- Publisher: Harlequin, January 2012
- Source: Harlequin.com (part of the Holiday Haul of Half-Off Harlequins)
- Length: 288 pages
- Trope(s): Rich Girl & Poor Boy, Unrequited Love, Big Misunderstandings, Plot Moppets
- Quick blurb: Auto mechanic must escort the social worker who rejected him on a cross-country drive to an Indian reservation to investigate an orphan’s mysterious birth father.
- Quick review: Ignore that last one — this is my favorite Harlequin Love Inspired so far.
- Grade: B+
His lips brushed her forehead and then her temple. The waves of emotion tossed, their tops windblown, and she lifted her face as if struggling for breath, but it wasn’t air she needed. She required something far more nourishing. She needed to know she was loved, and, with the gentlest touch of his lips to hers, he gave her that.
I felt compelled to purchase this because the title and cover were actually unique and relevant to the story. Add in the 1920s road trip setting, along with the Poor Boy/Rich Girl Unrequited Love premise, and I was doomed.
Fortunately, I wasn’t disappointed. There was nothing flashy about the writing or the characters; like The Maverick Preacher, it was just a really good story told really well. But the two books are very different in their presentation of the faith messages, and I generally prefer inspirationals where the spirituality is a strong undercurrent and not a battle of Bible verses, so All Roads Lead Home gets the edge with the B+ grade.
The suspenseful stuff went in a direction I wasn’t expecting, with intrigue on an Indian reservation, but I thought the sensitive issues of prejudice, land ownership and education were handled really well. The author never resorted to whitewashing the history or resolving the conflict with “White People to the Rescue!”
The only thing that bugged me were the Big Misunderstandings. This is my least favorite plot trope, because it always makes the inner conflicts feel so forced and contrived. From what we’re told of their backstories, Mariah and Hendrick should be intelligent and mature enough to avoid the predictable fits of jealousy and not-smart decision-making.
An unrelated minor disappointment…. The hero’s younger sister flirts with a resident of the Indian reservation, and I was so hoping their story would continue — but apparently she goes back home and marries a cranky rich white guy. Pfft.