Tag Archives: medieval

Theme Night: Richard III (The Non-Fictional Version)

Standard

Things history nerds obsess out:

Two child princes disappeared, and nobody raised a stink. What. The. Ever-Loving. FUCK.

Was Richard III really that much of a fear-monger? We now know he got his comeuppance (*cringe*), but seriously — NO ONE bothered to look for those poor boys? Sheesh.

ANYWAY, it’s been a while since I dug into the non-fiction side of York vs. Lancaster (and I can never remember who was on what side), but here’s a few from my Shelf of Actual History With Little Or No Smooching.

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

The Princes in the Tower by Alison WeirThe Princes in the Tower by Alison Weir

Synopsis on Goodreads:

Despite five centuries of investigation by historians, the sinister deaths of the boy king Edward V and his younger brother Richard, Duke of York, remain two of the most fascinating murder mysteries in English history. Did Richard III really kill “the Princes in the Tower,” as is commonly believed, or was the murderer someone else entirely? Carefully examining every shred of contemporary evidence as well as dozens of modern accounts, Alison Weir reconstructs the entire chain of events leading to the double murder. We are witnesses to the rivalry, ambition, intrigue, and struggle for power that culminated in the imprisonment of the princes and the hushed-up murders that secured Richard’s claim to the throne as Richard III. A masterpiece of historical research and a riveting story of conspiracy and deception, The Princes in the Tower at last provides a solution to this age-old puzzle.

Weir is now a fiction author as well, but oddly enough, I think she tells a better story in her non-fiction works, and this is one of her best.

Grade: B+

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

The Wars of the Roses by Alison WeirThe Wars of the Roses by Alison Weir

Synopsis on Goodreads:

Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the English throne. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal houses of Lancaster and York, the most complex in English history, profoundly altered the course of the monarchy. Alison Weir, one of the foremost authorities on British history, brings brilliantly to life both the war itself and the larger-tha-life figures who fought it on the great stage of England. The Wars of the Roses is history at its very best—swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing period of history.

This one is much drier and fact-heavy than Princes, but it’s one of the few full histories of the Wars of the Roses that held my attention through the end of the book.

Grade: C

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

And coming soon from somewhere in the TBR….

Blood Sisters: The Women Behind the Wars of the Roses by Sarah Gristwood

Blood Sister by Sarah GristwoodSynopsis from Amazon:

To contemporaries, the Wars of the Roses were known collectively as a “cousins’ war.” The series of dynastic conflicts that tore apart the ruling Plantagenet family in fifteenth-century England was truly a domestic drama, as fraught and intimate as any family feud before or since.

As acclaimed historian Sarah Gristwood reveals in Blood Sisters, while the events of this turbulent time are usually described in terms of the male leads who fought and died seeking the throne, a handful of powerful women would prove just as decisive as their kinfolks’ clashing armies. These mothers, wives, and daughters were locked in a web of loyalty and betrayal that would ultimately change the course of English history. In a captivating, multigenerational narrative, Gristwood traces the rise and rule of the seven most critical women in the wars: from Marguerite of Anjou, wife of the Lancastrian Henry VI, who steered the kingdom in her insane husband’s stead; to Cecily Neville, matriarch of the rival Yorkist clan, whose son Edward IV murdered his own brother to maintain power; to Margaret Beaufort, who gave up her own claim to the throne in favor of her son, a man who would become the first of a new line of Tudor kings.

A richly drawn, absorbing epic, Blood Sisters is a tale of hopeful births alongside bloody deaths, of romance as well as brutal pragmatism. It is a story of how women, and the power that women could wield, helped to end the Wars of the Roses, paving the way for the Tudor age—and the creation of modern England.

Release date: February 26, 2013

There’s some wicked good stuff to get geeky about. The two other works by Gristwood that I’ve read were enjoyable, but not memorable, so I’m really hoping she pulls this one off.

Theme Night: Richard III (The Fictional Version)

Standard

So. All of us history nerds GEEKED OUT over the whole Richard III thing today.

Shakespeare's Tragedy Richard III From The Old Globe

I don’t know who this is, but I prefer this version of Richard III.

Did I mentioned that I geeked out? It’s true. I really did.

Anyway, in poor maligned Richard III’s honor, and to halt my month-long blog drought, here are a few quick reviews of some recommended Wars of the Roses stories from my vast stores of historical fiction.

Not familiar with the Wars of the Roses? Stay tuned for some non-fiction reviews coming up next!

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

The Reluctant Queen by Jean PlaidyThe Reluctant Queen by Jean Plaidy

Synopsis from Goodreads:

In 1470, a reluctant Lady Anne Neville is betrothed by her father, the politically ambitious Earl of Warwick, to Edward, Prince of Wales. A gentle yet fiercely intelligent woman, Anne has already given her heart to the prince’s younger brother, Richard, Duke of Gloucester. Unable to oppose her father’s will, she finds herself in line for the throne of England—an obligation that she does not want. Yet fate intervenes when Edward is killed at the Battle of Tewkesbury. Anne suddenly finds herself free to marry the man she loves—and who loves her in return. The ceremony is held at Westminster Abbey, and the duke and duchess make a happy home at Middleham Castle, where both spent much of their childhood.

Their life is idyllic, until the reigning king dies and a whirlwind of dynastic maneuvering leads to his children being declared illegitimate. Richard inherits the throne as King Richard III, and Anne is crowned queen consort, a destiny she thought she had successfully avoided. Her husband’s reign lasts two years, two months, and two days—and in that short time Anne witnesses the true toll that wearing the crown takes on Richard, the last king from the House of York.

This is my favorite Anne and Richard book, and one of my many favorites by Plaidy. Her duchesses, princesses and queens stay in their appointed roles, but Plaidy somehow manages to really get into their heads and hearts to make her royal heroines quietly strong and even subversively influential.

Plaidy’s Anne of York is essentially passive, rarely taking an active role in any of the plotting and scheming that surrounds her. However, this background role allows her to be a very savvy observer, and Plaidy — with her effortless voice and flawless historical worldbuilding — makes the most of Anne’s omniscient narration.

Grade: A-

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

The Kingmaker's Daughter by Philippa GregoryThe Kingmaker’s Daughter by Philippa Gregory

Synopsis from Goodreads:

The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters, Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right….

At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy. Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition.

I love Gregory’s “voice,” and she’s brilliant at using first-person POV (and even present tense in this one) to create a compelling and intensely personal atmosphere and a wholly unique perspective on true events.

But I think I’ve read way too many Tudor and Wars of the Roses books, because I found the narrative and especially the dialogue to be very repetitive in the second half.

The theme of “Elizabeth Woodville is a scheming, grasping witch” is used again and again and again as convenient filler whenever there’s downtime in the chronology of intrigue and poisonings and beheadings. So much emphasis is given to a virtually unseen character that the enigmatic Richard III is reduced to banal and emotionless cameo appearances.

Beyond that irritation, I think no author is better at depicting the constant uncertainty and fear and, ultimately, powerlessness that noble and royal women faced from the moment they moved from the nursery to the schoolroom. Like Mary and Anne Boleyn, the Neville sisters were born, trained and doomed to be nothing more than props and pawns in their father’s quest for power and glory.

Grade: B-

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Figures in Silk by Vanora BennettFigures in Silk by Vanora Bennett

Synopsis from Goodreads:

When silk merchant John Lambert marries off his two beautiful daughters, their fortunes are forever changed. Elder daughter Jane Shore begins a notorious liaison with the king while industrious and clever Isabel finds herself married into the house of Claver, a wealthy silk dynasty. Fate delivers Isabel a challenge when her new husband is killed and she is forced into apprenticeship to her mother-in-law, Alice Claver.

It is from Alice Claver that Isabel learns to love silk and the exotic and passionate fabrics from Italy, Persia, Spain, Tunisia, and beyond. Isabel learns to make her way in this new world of silk—to find friends and enemies—and she strikes an alliance with her sister’s lover, King Edward IV, that will bring the secrets of silk-making to London. As Isabel grows in power and her plan for a silk industry run by Englishwomen is set into motion, the political landscape shifts in dangerous ways. One sister will fall as the other rises and choices must be made that will change their lives forever.

The first half of the book, which focuses on the silk industry, is fascinating. Isabel is a memorable heroine, and her contentious relationships with her father, sister and mother-in-law set up several great conflicts.

However…the shark is jumped when R3 comes on the scene. The focus slides away from the strong female characters and gets bogged down in some ill-executed political intrigue.

The “kick-ass first half, disappointing second half” seems to be an ongoing issue with Bennett — she always manages to wrap up the storylines successfully, but I’d love to see her sustain the momentum from start to finish.

Grade: B-

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

To the Tower Born by Robin MaxwellTo the Tower Born by Robin Maxwell

Synopsis from Goodreads:

In 1483, Edward and Richard of York — Edward, by law, already King of England–were placed, for their protection before Edward’s coronation, in the Tower of London by their uncle Richard. Within months the boys disappeared without a trace, and for the next five hundred years the despised Richard III was suspected of their heartless murders.

In To the Tower Born, Robin Maxwell ingeniously imagines what might have happened to the missing princes. The great and terrible events that shaped a kingdom are viewed through the eyes of quick-witted Nell Caxton, only daughter of the first English printer, and her dearest friend, “Bessie,” sister to the lost boys and ultimate founder of the Tudor dynasty. It is a thrilling story brimming with mystery, color, and historical lore. With great bravery and heart, two friends navigate a dark and treacherous medieval landscape rendered more perilous by the era’s scheming, ambitious, even murderous men and women who will stop at nothing to possess the throne.

Another shark-jumper, but in a good way.

Maxwell has a few, um, well, wacky revisionist history plots, but they’re nearly always entertaining, and she even (*gasp*) has fun with her historical characters.

I love, love, love Nell Caxton as the heroine, and the author gets buckets of extra special credit bonus points for making Anthony Woodville the love interest — I always wonder what he could have accomplished as a scholar and as a diplomat.  Word has it he was kinda cute too.

But, of course, Woodville (aka Earl Rivers) loses his head about a third of the way in, and Nell turns into a secret agent (or maybe a double-super-secret agent, it’s hard to tell) in an uber-suspenseful (and kinda wacky) conspiracy administered by Margaret Beaufort, the (probably literally) kick-ass  mother of Henry VII. It’s a wild ride, but it’s worth it.

Grade: B

Medieval Mania: Lord of the Shadows by Kathryn Le Veque

Standard

Lord of the Shadows by Kathryn Leveque

  • Title: Lord of the Shadows
  • Author: Kathryn Le Veque
  • Series: N/A
  • Genre(s): Historical
  • Publisher: Dragonblade Publishing, September 2012 (originally published  February 2011)
  • Source: Amazon, free promo ($2.99 ebook)
  • Length: 273 pages
  • Trope(s): Perfectly Perfect Heroine, Deadly-Yet-Sensitive Assassin Hero, Evil King, Instalove, TSTL Sibling, In Disguise, Intrigue & Espionage
  • Quick blurb: Feared royal enforcer falls for daughter of king’s most hated enemy
  • Quick review: Not bad, exactly, but…you know, it’s not quite… Oh, just read the damn review. That’s what you came here for, isn’t it?
  • Grade: C-

Like the allure of a good beheading, it was pure entertainment.

OK, I will admit I was wrong. I WAS WRONG. During the first read, this seemed pretty dreadful, and I even tweeted some snotty things about it.

But after finishing this, I read By Royal Command, aka Death By Thesaurus. And then I read a certain gay BDSM mistorical (Full Snark Bitchfest coming soon!) that will forever be the definition of “dreadful.”

So I upgraded Lord of the Shadows from a D+ to a C-. I can’t really recommend it, but it’s a helluva lot better than some of the other dreck I’ve been reading.

The plot….

In 1215 England, our hero, Sir Sean de Lara, is a long-time enforcer for the disgusting King John. But when he meets Lady Sheridan St. James, the daughter of the monarch’s most hated enemy, he’s tempted to sacrifice his decade of soul-crushing espionage for the chance to live a normal life.

Don't look too close - this really isn't medieval. Or British.

We’ll just ignore the dorky and unrealistic names so we can move along to the important stuff. Like kissing. And sex.

And history. MY GOD, the history. THE FATE OF ENGLAND IS AT STAKE, PEOPLE, YOU HAVE NO IDEA. You’ll see what I mean when we get around to more of Sir Sean. And there’s a LOT of Sir Sean.

The meet-cute, part 1….

Insta-Love from the get-go. Our Dark Lord gets his first glimpse of His Beloved as she tries to prevent her TSTL younger sister from flinging herself out a window:

I Bid Thee Farewell Unkind World

Phallic symbol?
What phallic symbol?

His attention then moved to the woman attempting to prevent the suicide; he couldn’t make out the features at this distance, but he could certainly distinguish the blond hair that shimmered against the afternoon sky as gold would shimmer against the sun.  He found himself more intrigued by the beauty of the hair than by the chaos unfolding around it.

Unfortunately, our heroine isn’t much of a crisis negotiator, because — oops…. But never fear! Sir Sean is here!

She was still screaming when he caught her.

After accepting their gushes of gratitude, our Hero of Darkness mysteriously disappears (he does this a lot) and waits patiently to see His Beloved again. Which, of course, happens in the very next chapter.

Read the rest of this entry

Medieval Mania: Cultural Appropriation, ca. 1960

Standard

This is what you get when you do a Google search for “medieval maiden.” Let’s take a closer look, shall we?

1960 Maidenform Bra ad - detail of dog

A high-maintenance dog.

1960 Maidenform bra ad - detail of monkey

A monkey with a roll
of paper towels.

1960 Maidenform bra ad - detail of bunny

A bunny.

2960 Maidenform bra ad - detail of unicorn

A pervy yet submissive goat-unicorn.

1960 Maidenform bra ad - detail of model

Nope, nothing offensive here. Move along.

In all this visual ecstasy, let’s not overlook the all-important ad copy:

I dreamed I was a medieval maiden in my Maidenform bra

I dreamed I was a medieval maiden in my maidenform® bra
The past was never quite this perfect! I’m a legendary figure in STAR FLOWER,
Maidenform’s newest work of art! Genius idea: petal-patterned circular-stitched cup,
underlined with twin elastic bands (upper band expands for
custom fitting cups; lower band expands for comfortable give-and-take).
White cotton broadcloth, A, B and C cups. A collector’s item at just 2.50!

Yeesh. Just the words “broadcloth bra” make my boobs itchy. Let us now praise the inventors of Lycra®, even though they were men.

Medieval Mania: Hugh and Bess: A Love Story by Susan Higginbotham

Standard

Hugh and Bess: A Love Story by Susan Higginbotham

  • Title: Hugh and Bess: A Love Story
  • Author: Susan Higginbotham
  • Series: N/A
  • Genre(s): Historical Fiction
  • Publisher: Sourcebooks Landmark, August 2009
  • Source: Public library ($9.99 ebook)
  • Length: 273 pages
  • Trope(s): Child Bride, Treason, Courtly Love, Reunited
  • Quick blurb: Hugh le Despenser, the son and grandson of traitors, and his teenage bride Elizabeth Montacute face court intrigue, war and plague
  • Quick review: A welcome informal tone and a great historical couple, but uneven storytelling.
  • Grade: C

“Why can’t Joan marry him? Her father was beheaded too. They would have had much more to talk about.”

Higginbotham is a new-to-me author, but I’ve had her on my wishlist for while. She  chooses some really fascinating lesser-known historical figures and settings, so I was really looking forward to this. But Higginbotham was doomed to a comparison to my other favorite historical fiction authors, particularly Philippa Gregory and Elizabeth Chadwick (reviews for both coming soon!).

Hugh and Bess was an easy read with enjoyable dialogue and some good historical detail, but it was very superficial — the storytelling was noticeably episodic, with some backstory filler between major life events.

My biggest disappointment was the lack of emotional depth and character development. Other than dealing with their significant age difference, neither Hugh nor Bess change or grow at all throughout the story — Hugh especially is presented as a saintly warrior who can do no wrong. I think that’s partly because Hugh and Bess are separated for much of the story, and it would be difficult for any author to sustain the romance throughout wars, executions, epidemics and god knows what else these two had to overcome.

I have two more by Higginbotham in my TBR and a few others are available at my library, so it’ll be interesting to see how her Margaret of Anjou, Katharine Woodville and Frances Grey measure up.

Status Updates: Read With Me Vicariously

  • 17%: This has a much lighter tone than I was expecting, and I’m enjoying the author’s “voice” as a 13-year-old bride-to-be. The minor characters are a little hard to keep track of, especially considering the similarity of their names. If I wasn’t already a little familiar with the historical figures and chain of events, I’d probably find it really confusing.
  • 30%: The time-jumping is starting to annoy me – the dual storylines aren’t parallel chronologically, and there have been several flashbacks within flashbacks.  But I am loving the unusual “voice” — informal, smarmy and often sarcastic. Definitely not the usual medieval-speak.
  • 80% : Now that the info-dumping backstory is out of the way, the pace has picked up – but there still isn’t much emotional involvement.

Medieval Mania: By Royal Command by Laura Navarre

Standard
  • By Royal Command by Laura NavarreTitle: By Royal Command
  • Author: Laura Navarre
  • Series: N/A
  • Genre(s): Historical
  • Publisher: Carina Press, July 2012
  • Source: NetGalley ($4.16 ebook)
  • Length: 274 pages
  • Trope(s): Widow, Alpha Male(s), Beta Hero, Big Misunderstanding, Simile Sex, Hair Fetish, Evil Royal Relation
  • Quick blurb: Newly widowed niece of King Ethelred (he of the Unreadiness) is forced into a betrothal with a Norman nobleman – but she’s distracted by the large and tawny Viking assigned as her escort.
  • Quick review: The author has a thesaurus, and she knows how to use it.
  • Grade: D

Grappling with savage urgency in a riot of tumbled cushions, she plunged headlong into rapture in the arms of her wrathful angel.

Status Updates: Read With Me Vicariously

You can tell by the dates that I avoided writing this review.

  • 09/12 – 40%: “…the curving shell of secrets nestled between her thighs” o.0
  • 09/13 – 42%: This book is much more Bodice Ripper than I anticipated….
  • 09/13 – 58%: The metaphors. EVERYTHING is a water, fire, weather or war metaphor. And the interjections. By Odin’s smelly underpants, the INTERJECTIONS! Lots of references to Odin and Thor, but no Loki yet. Heroine prefers to invoke St. Cuthbert and St. Wilfrid.
  • 09/14 – 65%: The book that will never end. I made it this far, but this is taking WAY too long to finish.
  • 09/15 – 78%: Still not done… *whimper*
  • 09/17 – 100%: Finally finished, and I still haven’t quite distilled why this didn’t work for me.

When I finally started the distillation process, I had to put the crankypants on.

The writing style….

I can’t really call it the author’s “voice,” because I never really heard one. Instead, I felt bombarded with every literary device we learned in junior high language arts class. Action verbs. Adjectives. Metaphors. Interjections. Euphemisms. Rinse. Repeat.

As he fitted himself against her, an epiphany burst within….

She opened herself to the storm of sensation, reached for him with both arms as he surged inside to fill her. Their joining brought him toppling down on her, in the blazing splendor of the archbishop’s bed. He gripped her in the same desperate clutch, held her moored against his rapid thrusts. Her tight channel stretched to accept him, ripples of pleasure pulsing through her. Blindly, she struggled toward the conflagration.

Without warning, it ignited her. She dug her nails into his sinewed back and clung with all her strength. The cataclysm flung her high, outside herself, as he went rigid in her arms.

The hundreds (literally) of other examples can be grouped into thematic categories, including:

Read the rest of this entry

Medieval Mania: A Royal Marriage by Rachelle McCalla

Standard

Oh, look — another book written JUST FOR ME. I love it when that happens.
 A Royal Marriage by Rachelle McCalla

  • Title: A Royal Marriage
  • Author: Rachelle McCalla
  • Series/Category: Love Inspired Historical
  • Genre(s): Historical, Inspirational
  • Publisher: Harlequin, November 2012
  • Source: NetGalley ($4.19 ebook, $5.75 mmpb)
  • Length: 288 pages
  • Trope(s): Insta-Love, Kidnapping, War, Betrothed to the Enemy
  • Quick blurb: Ruler of small Mediterranean kingdom rescues Charlemagne’s daughter from kidnapping, but must deliver her to her unwanted betrothed – who happens to be his lifelong enemy.
  • Quick review: Fabulous setting/premise and strong heroine, but romance was disappointing
  • Grade: B

“Why? Must you ask why? Must I speak the words I should be ashamed to speak aloud? You, the emperor’s daughter, pledged to marry another? You, who have rescued my heart from the pit where I cast it to die?”

His lips moved down her nose with tiny, featherlight kisses, as though he warred with himself and lost each time he planted one. “You, who have captured my heart.”

I hope this is the first of a series, because I LOVE the ninth-century setting. The historical world-building was spot-on, with just enough detail and only a few minor anachronistic word choices.

I was also really impressed with the presentation of Charlemagne’s daughter Gisela as a strong, smart leader in a historically believable way (see below). She’s one of the best Harlequin heroines, and inspirational heroines, I’ve read so far.

But the insta-love romance was blah — no emotional conflicts, just external political intrigues. Neither the hero nor the heroine had any flaws to overcome; they were both perfectly perfect from start to finish. It would have been MUCH more compelling to have them at odds in the beginning, then slowly learn to respect and trust each other.

Scale back on the military maneuvers and focus on the relationship-building, and this would have been an A grade.

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

The history geek unleashed

I now have three Charlemagne biographies on my wishlist, and I spent hours discovering fascinating facts, such as:

In Charlemagne’s seventy-odd years of life, he had four wives, six concubines and at least seventeen children.

Charlemagne and His Scholars by Karl von Blaas (1815-1894)

Charlemagne and His Scholars
by Karl von Blaas (1815-1894)

Source: History in an Hour

He was so careful of the training of his sons and daughters that he never took his meals without them when he was at home, and never made ajourney without them; his sons would ride at his side, and his daughters follow him, while a number of his body-guard, detailed for their protection, brought up the rear. Strange to say, although they were very handsome women, and he loved them very dearly, he was never willing to marry any of them to a man of their own nation or to a foreigner, but kept them all at home until his death, saying that he could not dispense with their society. Hence, though other-wise happy, he experienced the malignity of fortune as far as they were concerned; yet he concealed his knowledge of the rumours current in regard to them, and of the suspicions entertained of their honour.

Source: Einhard’s Life of Charlemagne

His ideas of sexual morality were primitive. Many concubines are spoken of, he had several illegitimate children, and the morals of his daughters were very loose.

Source: Encyclopedia Britannica, 1911

Medieval Mania: More Barbara Samuel

Standard

I just HAD to use the original bodice-ripper covers for these….

A Winter Ballad by Barbara Samuel

  • Title: A Winter Ballad
  • Author: Barbara Samuel
  • Series: N/A
  • Genre(s): Historical
  • Publisher: HarperCollins, October 1994; self-published, October 2010
  • Source: Amazon, 99¢ promo ($2.99 ebook)
  • Length: 352 pages
  • Trope(s): Knight, Damsel in Distress, Revenge, Evil Sibling, Angst, Tragic Past,
  • Quick blurb: Knight on revenge mission tempted to forego his royal mandate to stay with the woman who saved his life.
  • Quick review: Basically a stripped-down, but oh-so-romantic, version of Pillars of Earth
  • Grade: B+

When he made to draw away, Anya caught his hand below the table. “You did not find me whole,” she said, “and could not leave me less.”

Dying knight, spiritually broken heroine, godless priests, evil and/or missing siblings, curses, plagues, assassination plots…. And smooching. Some really, really good smooching.

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Heart of a Knight by Barbara Samuel

  • Title: Heart of a Knight
  • Author: Barbara Samuel
  • Series: N/A
  • Genre(s): Historical
  • Publisher: HarperCollins, August 1997; self-published, October 2010
  • Source: Amazon, 99¢
  • Length: 368 pages
  • Trope(s): Gentle Giant, Damsel in Distress, In Disguise
  • Quick blurb: An errant knight mysteriously appears to help a beleaguered noblewoman save her castle
  • Quick review: More of a predictable fairy tale than Bed of Spices, but definitely worth reading
  • Grade: B

Better, she said, to remember it was with women that true power lay. A power quiet and subtle, to be sure, but never to be ignored.

The enigmatic hero is the main focus of the story, but Elizabeth is a really strong and compelling character. No TSTL or doormat heroines in Barbara Samuel’s medieval world, THANK GOD.